Renowned artist Duncan Daniels is set to redefine his musical identity with the release of his highly anticipated album, ‘Dan Cain: Honesty & Nostalgia’. This groundbreaking work promises to be a masterful blend of heartfelt introspection and rich, evocative soundscapes, marking a significant departure from his celebrated Afrobeats style as he boldly ventures into the realms of Alternative Rock and orchestrated compositions.
‘Dan Cain: Honesty & Nostalgia’ showcases Daniels’ versatility as an artist and his unwavering commitment to musical authenticity. In an era where the true worth of music is often overlooked, Daniels emphasizes that creating timeless music requires more than just a good microphone and powerful effects; it demands a deep connection to the rawness of live performance. The album captures the essence of music through the resonance of each key, the vibration of every string, and the heartbeat of percussive rhythms, all while evoking a profound sense of nostalgia.
This deeply personal album explores themes of authenticity and nostalgia, featuring collaborations that elevate its emotional depth. Notably, the track ‘Holy Water’ features the Czech National Symphony Orchestra, creating a rich, timeless sound. The guitar solo in ‘Take My Hand’, recorded during a bomb raid in Odessa by Vitaliy Tkachuk, exemplifies resilience and dedication. Additionally, Brazilian guitarist Johnatha Bastos, who was born without hands, delivers an incredible performance on ‘Peacock Feather’, playing with his toes.
Promotional photos for the album were shot in the iconic Sistine Chapel, and one of the singles was mixed and mastered at the legendary Abbey Road Studios, further enhancing the album’s artistic prestige.

Duncan Daniels boasts over 60,000 monthly listeners on Spotify and has amassed over 6 million streams across all digital platforms. His talent has been recognized with three nominations at the Nigeria Entertainment Awards, including Best US-based Male Artist (2011), Music Producer of the Year (2014), and Best Diaspora Artist of the Year (2016). He has also received acclaim from notable publications such as EARMILK, The Hype Magazine, and The Fader.