Experimental Irish artist Kevin Gleeson, known for his genre-bending project Sour Blood, has just released his highly anticipated debut album, Suas. Following the intriguing singles “Suas” and “The Devil,” which have previously graced our playlists, Suas, showcases Gleeson’s inventive spirit and sonic versatility, continuing his exploration of experimental soundscapes.
The album’s opening track, “Landfill,” starts with a ghostly, minimalist instrumental that builds tension before erupting into a vibrant explosion of electronic textures. This initial journey sets the stage for the unpredictability that defines the album. As, Suas, progresses, it unfolds with a series of compelling tracks. “Bruise” introduces a soulful, melancholic note, while “Mysterious Creatures” combines industrial undertones with poignant vocal interludes. The title track, “Suas,” stands out with its moody and innovative style, characterized by shifting textures that keep listeners engaged.
The second half of the album begins with “The Devil,” a tender and delicate piece, followed by “Neon Sign,” which delivers a simmering, atmospheric vibe rich with evocative lyrics. “Clot” presents a six-minute, pulsating odyssey that captures the essence of slow-burning intensity. The album closes with “Overgrowing,” a gentle and acoustic finale that offers a serene end to an adventurous sonic journey.
With *Suas*, Sour Blood continues the legacy of experimental indie pioneers like Radiohead and Animal Collective, pushing boundaries and delivering an album that surprises at every turn. It’s an immersive experience that will leave listeners yearning for more, solidifying, Suas, as a strong contender for album of the year. For those seeking an innovative and mesmerizing musical journey, Sour Blood’s, Suas, is a must-listen.
