The Cornelius Eady Trio’s latest offering, Painting (Acoustic), is a refreshing acoustic EP that invites listeners into a world where Bob Dylan and Tracy Chapman might have joined forces with Joni Mitchell. The sound is rich and evocative, driven by Charlie Rauh’s intricate yet unpretentious acoustic guitar work, which lays a solid foundation for Lisa Liu’s delicate accompaniments. At the heart of it all is Cornelius Eady’s voice—a storytelling instrument that captivates and engages from the very first note.
The EP opens with “Painting Song,” setting a solemn and chilled tone that perfectly encapsulates the delicate acoustic vibe of the collection. This introspective track serves as a gentle introduction to the emotional landscapes Eady explores throughout the EP.
Shifting gears, “Come And Take Your Boy” injects a bit of narrative grit, allowing Eady’s lyrical prowess to shine through. Here, the Americana influences come alive, showcasing the storytelling that defines his artistry.
“Rich Man and The Reaper” follows with a haunting melody, its stark and honest lyrics resonating deeply, leaving an indelible mark on the listener. This track exemplifies the EP’s ability to evoke powerful emotions through simple yet profound storytelling.
The momentum continues with “The Unworried Life” and “Military School,” each bringing its own unique flavor while maintaining the cohesive sound of the EP. These tracks demonstrate Eady’s versatility and his ability to blend different themes seamlessly.
“God Will Get The Glory” offers an introspective, almost meditative experience, evoking a slightly Weston-like feel as it encourages reflection and contemplation.
Perhaps the most playful track, “Manhattan is the Island of Misfit Toys,” brings a whimsical quality that belies its deeper message about finding one’s place in the world. This juxtaposition of lightness with significance highlights Eady’s skill in crafting nuanced narratives.
The EP concludes with “The Way You Leave,” a poignant farewell that feels like a goodbye not just in a literal sense but to old selves, habits, and worlds. It’s a melancholic yet hopeful ending that lingers in the listener’s mind long after the final notes fade.
While the Painting (Acoustic) EP consists of eight tracks—almost the length of a full album—one can’t help but wonder why it wasn’t expanded into a broader collection of tunes. This minor quibble aside, the EP is a testament to the Cornelius Eady Trio’s ability to create music that resonates with depth and authenticity. With its rich sound and heartfelt lyrics, Painting (Acoustic) is a rewarding listening experience that showcases the trio’s potential as powerful storytellers in the acoustic realm.
