Isabel Maria returns with her latest single, “At Least We Don’t Have Kids,” a deeply emotive ballad that deftly combines gritty lyricism with lush harmonies and dynamic synths. Following the success of her previous single, Holy Smokes!, which marked a sonic milestone in her career, this new track continues to showcase Isabel’s evolving artistry.
Produced by Josh Ingledew at Blank Studios and funded by the prestigious Alan Hull Award, At Least We Don’t Have Kids is a powerful five-minute journey of raw storytelling and meticulously crafted hooks. The track is anchored by a leading piano line, around which Isabel builds a rollercoaster of sonic ups and downs. The result is a soundscape that’s as rich in emotion as it is in musical depth.
Isabel describes the song as a quick burst of creativity, written in just two hours during a moment of intense emotion. “I suppose it’s about shared accountability in a situation, and finding the—in this case, slightly tongue in cheek—silver lining in a dark spot,” she explains. The lyrics, filled with biting honesty, explore the complexities of a relationship in turmoil, offering a sardonic twist on finding positivity amidst the chaos.
What began as a simple piano demo has blossomed into one of Isabel’s most unique sonic experiences to date. The track features a vast array of synths, beats, and harmonies that create a large, immersive soundscape. As the second of three singles she plans to release this year, At Least We Don’t Have Kids arrives just in time to capture the end of summer, setting the stage for Isabel’s upcoming shows, including a highly anticipated performance this autumn.
Isabel Maria continues to carve out a distinctive niche in the music scene, blending raw emotion with innovative production. At Least We Don’t Have Kids is a testament to her ability to craft songs that resonate on multiple levels, offering listeners both a sonic and emotional experience that lingers long after the final note.
