DC-based singer-songwriter Boy Grapes has made a striking return with his new five-track EP, “Uh Huh.” In a landscape populated by electronic and avant-garde music, this release stands as a bold testament to the artist’s creative evolution and profound personal expression. Each meticulously crafted track offers listeners an intimate glimpse into the mind of an artist unafraid to experiment with genre boundaries while staying true to the core elements that define his unique sound.
The EP opens with “Irun Therisk,” a track that sets the stage with a pulsating bassline that instantly draws you into its hypnotic groove. The rhythmic complexity is both intriguing and disorienting—a deliberate strategy that reflects Boy Grapes’ ambition to push his music into more extroverted territory while preserving the introspective depth that has characterized his previous work. The sharp, almost industrial beats are balanced by an underlying warmth, creating a dichotomy that is both unsettling and compelling.
Following this is “At least im in the Air,” which shifts the mood entirely. Its airy, ethereal synths and weightless rhythm create a sense of suspended animation, as if time itself is irrelevant. In this track, Boy Grapes’ avant-garde influences shine brightly, crafting a soundscape that is haunting yet beautiful—a true reflection of his growth as an artist and individual.
The midpoint of the EP, “SO DEAD,” plunges into darker, more aggressive territory. Here, the bassline is thick and menacing, driving the track forward with relentless intensity. The jagged, unpredictable rhythm maintains an infectious groove, showcasing Boy Grapes’ remarkable ability to blend seemingly disparate elements—aggression and melody, chaos and order—into a cohesive whole that defies easy categorization.
Next comes “Hell o,” a moment of introspection characterized by its minimalist approach and sparse arrangement. The slow, deliberate rhythm allows each beat to land heavily, echoing the emotional weight of the track. The subtle bassline resonates deeply, complementing haunting melodies to create a lingering sense of melancholy. This track serves as a poignant reminder of the personal nature of Boy Grapes’ music, where every note tells a piece of his journey.
The EP concludes with “causeyouwanna,” a track that encapsulates the duality of Boy Grapes’ sound. With an upbeat and playful rhythm, it simultaneously carries an undercurrent of tension in the bassline, hinting at deeper complexities. This final track is a fitting close to an EP that balances personal exploration with musical innovation.
In “Uh Huh,” Boy Grapes has crafted a body of work that is both challenging and rewarding. The rhythmic complexity, innovative basslines, and seamless blend of electronic and avant-garde elements come together to create an EP that transcends mere song collection. It is a journey through the mind of an artist at the peak of his creative powers, inviting listeners to explore the depths of emotion and sound in a truly unforgettable experience.
