From the opening moments of Never Ending, Imbermind announces themselves as a collective with vision. Their debut is a genre-fluid fusion of shimmering synths, cinematic pacing, and electronic precision—yet it’s never cold. This is music with warmth, guided by feeling, not formulas.
The quartet—Edu Imbernon, Luis Clemente, Nico Casal, and Álvaro Monreal—each bring distinct musical identities to the project, and that collaboration is the album’s lifeblood. Where many electronic acts chase singular sonic threads, Imbermind thrives on contrast: classical flourishes sit next to club-rooted beats, and melancholic vocal lines drift across widescreen atmospheres.
What stands out most on Never Ending is the emotional undercurrent. The production is meticulous, but never sterile. There’s an intimacy to the arrangement, a sense of something deeply personal being shared. The record offers space for stillness, for introspection—moments often lost in the modern electronic landscape.
It’s a slow-burner in the best sense. This is an album that unfolds over repeated listens, revealing subtleties that feel less like tricks and more like emotional cues. Imbermind aren’t trying to dominate the playlist—they’re building a world, and inviting you in.
Never Ending is a debut that doesn’t just introduce a band—it establishes a mood, a tone, a universe. It’s a confident, deeply human piece of work that sits at the intersection of art and emotion, and marks Imbermind as one of the most promising new forces in electronic music.
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