Herman Martinez’s new album ‘UltraTerrestrial’ is a bold, otherworldly offering that thrives in the space between chaos and beauty. Shaped by what Martinez describes as encounters with the “ghosts of creativity,” the record channels that restless energy into a collection that feels both haunting and deeply human — a beacon of chaotic good and love in a world often dulled by apathy.
Recorded on the outskirts of Atlanta in a process defined by madness and unbridled creativity, UltraTerrestrial unfolds like a dreamscape of forgotten memories and unseen frequencies. Its lead single, “Changeling,” wrestles with themes of self-identity, while another standout track “Sol” expands into the vast terrain of creation itself. Together, they anchor an album that is less about linear storytelling and more about immersion — pulling listeners into Martinez’s uniquely constructed worlds.
Every note and lyric bears his singular vision, with Martinez writing and performing the entirety of the album. The sonic journey is brought to life through the precise production, mixing, and mastering of Ahmed Mahmoud, alongside the engineering of Chase Cassara, ensuring that the record’s raw essence is framed in sharp, mesmerizing detail. It’s an album that demands to be felt as much as it is heard, offering a rare glimpse into the vast interior landscapes of its creator.
UltraTerrestrial is not just an album but a statement and testament to Martinez’s refusal to compromise his artistry.
