When you press play on ‘satsuma’, you’re not just listening—you’re stepping into a candy-colored universe where music feels alive. From the brain of NYC’s Mike Brun, Ciao Ciao Marigold is a masterclass in Lofi psychedelia, blending hypnotic grooves with playful whimsy. The album is a tangy treat, each track a juicy burst of musical flavor that sticks to your soul like marmalade.
Opening with “Byeonggyul,” CCM immediately sets a tone of intrigue. The delicate nods to Korean dream-folk are a whisper before the bass kicks in, pulling you deep into its world. Brun’s signature funky basslines and layered textures are like a kaleidoscope spinning slowly under a blacklight—mesmerizing, soothing, and just a little intoxicating. This is headphone music of the highest order, best consumed lying under fairy lights or lounging with a glass of something strong.
But this isn’t just mood music—it’s a statement. Tracks like “Sumo” swagger in with thick guitar tones that feel larger than life, while the cleverly titled “Tangelo” brings in a sunny, samba-inspired groove that’s impossible not to bop to. Each song is a self-contained journey, yet they all fit into the cohesive puzzle of, satsuma. You’ll want to play this album on repeat—not to find hidden meaning but to bask in its vibrant glow.
Beyond the tunes, CCM’s visual identity adds another layer of magic. The animated world of Hannah van der Weide feels like a Miyazaki fever dream, amplifying the music’s sense of wonder. It’s not hard to see why CCM has captivated fans across the globe—this is art that feels good, plain and simple.
Live performances are the next frontier for Brun, and if, satsuma, is any indication, February’s show at Nublu 151 will be a technicolor explosion of sound and light. Don’t miss it. Until then, satsuma, is here to keep us warm and weird through the winter.
