Relić

Relić Cracks Open the Chaos of the “Three Body Problem” on His Bold New Collector’s Edition

After stepping away for a while, Mumbai’s own Relić is back — and he didn’t just return, he arrived with a full cosmic collision. His upcoming project, THREE BODY PROBLEM (Collector’s Edition), to be released November 29th, is the kind of album that feels like it was recorded somewhere between a planetarium and a pulse-lit underground rave. Born from a year of intense reflection, it leans fully into the idea that life — just like the real Three Body Problem — is wild, unpredictable, and somehow still perfectly in motion.

This project doesn’t tiptoe. Relić uses AI-generated voices and lyrics alongside his own instrumental production to create a soundscape that mirrors the beauty and disorder of simply being alive. The music feels just as comfortable booming through club speakers as it does powering a late-night drive or keeping you locked in at the gym. It’s full of uncertainty, tension, motion — but at its core, it’s all about longing for something real in the middle of the chaos.

What makes this album hit even harder is the sense of return. Relić (pronounced Reh-lich — or “relish,” if you want to be cute about it) is no stranger to storytelling. His 2019 debut, Manmade already proved he sees sound as cinema, painting vivid imagery through narrative-driven rap. Now, five years later, The Three Body Problem | Collector’s Edition marks a huge creative evolution. It fuses Hindi pop with UK garage in a way that feels both brand new and deeply homegrown — a reinvention with roots.

And true to his name, Relić is all about longevity. This is music designed to be returned to, replayed, re-experienced — the kind that sticks, grows, and reveals something new with every listen.

With influences like Fred Again, DIVINE, Logic, Brian Eno, and Hans Zimmer, it’s no surprise the album sits at the intersection of emotional depth and sonic experimentation. It’s big, bold, cinematic, and more than anything, alive.

Relić turns cosmic theory into club-ready storytelling, proving once again that chaos sounds incredible when he’s the one conducting it.

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